

Ludwig van Beethoven
Piano Concerto no. 2 B flat major op. 19
Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. The Second Concerto in B flat major is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. He probably wrote down a first version of this concerto as early as 1786–92, thus before the Piano Concerto No. 1, but it was not published until a few months after the first one, in December 1801. Beethoven, who regularly performed the B flat major Concerto on his concert tours, made repeated alterations to the work. These changes have left behind fascinating traces, which the editor – Beethoven scholar Hans-Werner Küthen – discusses in detail in his preface and in the subsequent section “About this edition”.
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About the Composer

Ludwig van Beethoven
No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.
About the Authors

Hans-Werner Küthen (Editor)
Rediscovered the “Kammerfassung des Vierten Klavierkonzerts” for Pianoforte and String Quintet (1807). Co-editor (with Oldrich Pulkert) of the compendium “Ludwig van Beethoven im Herzen Europas. Leben und Nachleben in den böhmisc
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G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Hans-Werner Küthen has finally given these masterpieces the editions they deserve, and his achievement is matched by intelligent fingering from Hans Kann. Any edition of Beethoven must be a compromise, of course, but these glorious publications are uniquely informative both in their introductions and editorial notes about the decisions made. ... The latest musicological evidence leads to refreshed perspectives at every turn, and the results are continuously lucid and illuminating. One need only look at the extraordinary touches which have been applied to the cadenzas of the Fourth Concerto to quickly see this. ... Yes if one considers that they present state-of-the art musicological research, fascinating and readable historical introductions, and new insights at every turn, the extra cost is more than justified.
International Piano QuarterlySe basant sur le texte de l’édition complète, G. Henle Verlag fait paraître les éditions pratiques des concertos pour piano selon une version pour deux pianos. La clarté, la lisibilité du texte musical, les changements de page respectueux des impératifs musicaux ainsi qu’une reliure adéquate (le volume ne présente pas l’inconvénient de se refermer immédiatement.) font de ces éditions de véritables partitions « pour la pratique », qui, à juste titre, se sont acquis la confiance des interprètes internationaux les plus renommés. L’adjonction à la fin de la réduction pour piano des cadences originales de Beethoven constitue un autre positif.
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Further editions of this title
Further editions of this title