Ludwig van Beethoven
Piano Sonata no. 12 A flat major op. 26 (Funeral March)
Beethoven’s twelfth Piano Sonata op. 26 is unusual in every respect: It opens with variations, followed by a short, energetic Scherzo which is in turn succeeded by the impressive “Funeral March on the Death of a Hero”.
The person Beethoven had in mind when he wrote this remains a mystery. Norbert Gertsch, editor-in-chief at Henle Publishers, undertook a thorough revision of our edition, together with the renowned pianist Murray Perahia. In addition, the latter also provided fingerings and shares some of his personal thoughts on this work.
About the Composer
Ludwig van Beethoven
No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.
About the Authors
Murray Perahia (Editor, Fingering)
Norbert Gertsch (Editor)
In the following year, he began to work at G. Henle Publishers, initially as an editor for electronic publishing. After working on a two-year project (1999–2000) sponsored by the German Research Foundation (DFG) preparing a new Beethoven Catalogue of Works, he became a scholarly editor at G. Henle Publishers. In 2003 he became Editor-in-Chief, in 2009 Deputy Managing
Product Safety Informations (GPSR)
G. Henle Verlag
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Further editions of this title
Further editions of this title
