

Béla Bartók
Sonatina
Bartók used different melodies taken from Romanian instrumental folk music in his Sonatina. A look at the sources shows how, in 1915, the piece slowly evolved out of a series of piano transcriptions of Romanian folk melodies into its three-movement form. In this Urtext edition that is being released prior to its publication as part of the Complete Edition, Bartók specialist László Somfai outlines the work’s exciting genesis and expounds on Bartók’s later revision, during which he not only changed the tempi but also the fingerings. The information on this work is rounded off by indications on how to play the the very complex piano notation by Bartók himself and from his recordings. An invitation to pianists to rediscover this Sonatina.
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About the Composer

Béla Bartók
This composer, who numbers among the most important musical figures in the first half of the twentieth century, is known principally for his research into Hungarian folk music, the elements of which he incorporated into his style. His broad oeuvre includes numerous works for orchestra, piano, and chamber ensembles, as well as choral music; songs with piano accompaniment; and an opera.
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G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Redacteur Laszlo Somfai licht deze Urtext grondig toe. Als bron werd ook de pianorol gebruikt die Bartok in 1927 inspeelde. De layout is meer dan uitstekend: compact en toch overzichtelijk.
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