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The Lark (Mikhail Glinka)
6 medium

About the Composer

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Michail Glinka

He is regarded as the first Russian composer of national importance on whom the subsequent generation – Balakirev, Borodin, César Cui, Mussorgsky, Rimsky-Korsakov (the “Mighty Handful”) – explicitly built. His first opera, “A Life for the Tsar,” grew to become a nationalist opera. Aside from his two operas, which served as models for the following generations, his songs and his instrumental music, shaped by Russian folklore, are of significance.

1804Born into a wealthy aristocratic family in Novospasskoye on June 1.
1818–22Attends the boarding school for the nobility in St. Petersburg, where he also receives lessons in piano and violin.
1824Civil service position in St. Petersburg, attendance at literary and musical salons; he meets Pushkin.
1828Publication of his first compositions; he resigns his position as a civil servant.
1830–34Journey to Italy via Germany, where he gains musical ideas (Beethoven, Spohr, Cherubini, Bellini, Donizetti); lessons in composition with Siegfried Dehn in Berlin.
1834Symphony on Two Russian Themes.
1835He settles in St. Petersburg.
1836Premiere in St. Petersburg of his major work, the historical opera “A Life for the Tsar.” Thereafter, appointment to the St. Petersburg Court Chapel.
1842Premiere of his fairy tale opera “Ruslan and Lyudmila”, after Pushkin.
1844/45Stay in Paris, then, until 1847, in Spain. Composes the “Capriccio brillante on the Jota aragonesa.”1848
Composition of “Kamarinskaya,” a cycle of variations for orchestra on a Russian wedding song, and “Recuerdos de Castilla” for orchestra.1854–55
He writes his memoirs, “Zapiski.”1857

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

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Mili Balakirew

A Russian composer, pianist, conductor and co-founder of the New Russian School of composers called the “Mighty Handful.” His interest in folk music found expression in his works. In addition, he felt particularly indebted to the musical heritage of Mikhail Ivanovich Glinka. An important musical figure without institutional training, he rejected the academy. His compositions include works for piano, pieces for choir and for orchestra, songs, and chamber music.

1837Born in Nizhny Novgorod on January 2. He receives his first musical instruction from his mother.
from 1846Piano lessons in Moscow with Alexandre Dubuque and Karl Eisrich.
from 1851He gives concerts at the home of landowner and patron Alexander Dmitryevich Ulybyshev. He is employed as a choir director.
from 1855He is introduced to musical life in St. Petersburg and makes the acquaintance of Mikhail Glinka and Alexander Serov. A tight-knit circle of accolytes forms around him, including Modest Mussorgsky, Nicolai Rimsky-Korsakov, and Alexander Borodin.
1862–73He founds the Musical Free School in St. Petersburg, organizing and leading its concerts.
1867–69Chief conductor of the Russian Musical Society.
1869He begins work on the oriental fantasy Islamey, regarded as one of the most technically challenging works in the piano literature.
from 1873Personal crises prompt him to take a multi-year hiatus from music.
1881–1908Director of the Musical Free School.
1883Appointed music director of the Imperial Chapel.
1910Dies in St. Petersburg on May 29.

Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

There are few publishers that print this piece individually, so Henle’s edition is particularly welcome, and anyone who has heard Evgeny Kissin’s masterly recording of the work will be interested to note that Henle have commissioned him to supply the fingering. ... Judicious placement of page-turns allows a seamless performance of the work and comments at the end of the volume document editorial decisions.

Pianist, 2021

Deze Urtext is goed verzorgd, uiterst overzichtelijk vormgegeven en voorzien van uitstekend tekstkritisch commentaar, waarin talrijke geautoriseerde bronnen worden meegenomen.

de nieuwe muze, 2021

Nach seiner Islamey hat der Henle-Verlag nun auch Die Lerche herausgegeben, und wie bei diesen renommierten Urtext-Spezialisten nicht anders zu erwarten, ist eine sehr schöne Ausgabe dabei herausgekommen. Ich selbst habe ein Faible für dieses Stück mit seinem tieftraurigen Thema, das so schön und zart umrankt ist. Die Fingersätze stammen von niemand Geringerem als vom Meisterpianisten Evgeny Kissin, den ich selbst einmal live mit diesem Stück hören durfte. Seine hervorragenden Fingersätze sind ein weiterer Grund, sich diesen schönen Band zuzulegen. Islamey ist nur etwas für Virtuosen, Die Lerche aber kann auch von fortgeschrittenen Amateuren gespielt werden.

Pianist, 2021

Mithilfe der vorliegenden Henle-Urtext-Edition, für die Wendelin Bitzan laut editorischem Bericht alle zur Verfügung stehenden Quellen konsultiert hat, lässt sich ganz genau studieren, wie Balakirew dieses Kunststück gelungen ist, und man kann die eigene Interpretation danach ausrichten. Evgeny Kissin, der das Stück beherrscht wie kein anderer, ist in Sachen Fingersatz erste Wahl.

Piano News, 2022

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