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Three Duos for Clarinet and Bassoon WoO 27

About the Composer

Ludwig van Beethoven

No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.

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About the Authors

Egon Voss (Editor)

Dr. Egon Voss, born in 1938 in Magdeburg, did a secondary school teaching degree in Detmold (Staatsexamen in 1961) and studied German, philosophy and pedagogy in Kiel and Münster (Staatsexamen 1964). He subsequently studied musicology in Cologne, Kiel and Saarbrücken and completed his doctorate in 1968.

In 1969 Voss became a scholar at the Richard Wagner Complete Edition in Munich, since 1981 he has been its Head. From 1989 to 1990 he was the dramaturg at the Théȃtre la Monnaie/de Munt Brüssel, and from 1996 to 2002 a lecturer at the post-graduate programme “Textkritik” at the Ludwig-Maximilians-Universität in Munich. Voss is a member of the advisory board for the edition “Richard Wagner, Sämtliche Briefe” as well as the journals “wagnerspectrum” and “The Wagner Journal”. He has published
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Product Safety Informations (GPSR)

G. Henle Verlag

Here you can find the information about the manufacturer of the product.

G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com

The welcome addition to woodwind chamber repertoire has carefully prepared material for clarinet and bassoon.

The Instrumentalist, 2012

Dankenswerterweise ist die Klarinettenstimme mit einem Supplement versehen, das die beiden Duos Nr. 1 und Nr. 2, die für C-Klarinette geschrieben sind, in einer Fassung für B-Klarinette bringt. Es ist jedoch reizvoll für diejenigen Klarinettisten, die eine gute C-Klarinette besitzen, die beiden ersten Duos auf dem dafür vorgesehenen C-Instrument zur Aufführung zu bringen. Die Ausgabe ist großzügig gestaltet in Format, Seiteneinteilung und Papierqualität; sehr gut lesbarer Notendruck und völliges Fehlen von Umblätterproblemen sorgen für Benutzerfreundlichkeit.

Oboe-Fagott, 2012

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