

Felix Mendelssohn Bartholdy
Variations op. 17 and Other Pieces for Piano and Violoncello
Besides two genuine cello "hits" from the pen of Felix Mendelssohn Bartholdy -- the "Variations op. 17" and the "Song without Words op. 109" -- this urtext edition contains a little sensation: the publication of a delightful and previously unknown original piece for cello and piano. Mendelssohn wrote it down in the album of his friend, the distinguished cellist Julius Rietz, in 1835 while at the pinnacle of his creative powers. All cellists will be happy to welcome this "Album Leaf" into their repertoire.
Content/Details
About the Composer

Felix Mendelssohn Bartholdy
A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.
About the Authors

Ernst-Günter Heinemann (Editor)
Dr. Ernst-Günter Heinemann, born in 1945 in Bad Marienberg (Westerwald), completed his schooling in Gießen and read musicology, philosophy and German in Marburg and Frankfurt/Main and also for some time Protestant church music. He did his doctorate on “Franz Liszts geistliche Musik. Zum Konflikt von Kunst und Engagement”.
From 1978–2010 Heinemann worked as an editor at G. Henle Publishers (in 1978 in Duisburg, from 1979 onwards in Munich). He edited a great many Urtext editions for the publishing house, including “Das Wohltemperierte Klavier”, Volume 1 by Bach and all of Debussy’s piano works. In addition, he wrote essays on Debussy, Grieg, Liszt, Mendelssohn and questions concerning general editing, as well as giving seminars on editorial practice for musicology students in Munich.

Klaus Schilde (Fingering)
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he

Claus Kanngiesser (Fingering and bowing for Violoncello)
Product Safety Informations (GPSR)

G. Henle Verlag
Here you can find the information about the manufacturer of the product.G. Henle Verlag e.K.
Forstenrieder Allee 122
81476 München
Germany
info@henle.de
www.henle.com
Die sehr sorgfältig editierte Ausgabe ist mit ausführlichen Bemerkungen versehen und klärt alle Lesearten und Fragen leicht verständlich und übersichtlich. Sie beruft sich kompetent auf alle auffindbaren zeitgenössischen Quellen.
SMZ, 2003recommendations
autogenerated_cross_selling
Further editions of this title
Further editions of this title