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Violin Sonata E flat major op. 18
7 difficult

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Richard Strauss

One of the most important opera composers of the twentieth century. His oeuvre comprises fifteen operas, nine symphonic poems, instrumental concerti, and a large number of songs. His stage works are marked by their great variety of genre and subject matter.

1864Born in Munich on June 11, the son of Franz Joseph Strauss, principal horn player in the court orchestra. Receives instruction in piano, violin, and composition.
1885–86Conductor at the Meiningen Court Orchestra, initially under the tutelage of Hans von Bülow.
1886Music director at the Munich Court Theatre.
1887–1903He increasingly devotes himself to the symphonic poem, including “Tod und Verklärung” (“Death and Transfiguration”) in C minor, Op. 24; “Till Eulenspiegels lustige Streiche” (“Till Eulenspiegel’s Merry Pranks”) in F major, Op. 28; “Also sprach Zarathustra,” Op. 30; “Symphonia Domestica” in F major for large orchestra, Op. 53.
1889–94Music director in Weimar. First Kapellmeister in Munich in 1894, in Berlin at the Royal Court Opera from 1898–1910.
1905Breakthrough with the premiere of “Salome,” Op. 54.
1906Beginning of his collaboration with Hugo von Hofmannsthal on the harmonically progressive opera “Elektra,” Op. 58, premiered in Dresden in 1909.
1911Sensational premiere in Dresden of “Der Rosenkavalier,” Op. 59, which refers back to operatic tradition and makes him the leading German opera composer. He decides to dedicate himself primarily to operas: “Ariadne auf Naxos,” Op. 60 (1912); “Intermezzo” Op. 72 (1924); “Die ägyptische Helena,” Op. 75 (1928); “Arabella,” Op. 79 (1933); “Die schweigsame Frau,” Op. 80 (1935); “Friedenstag,” Op. 81, and “Daphne,” Op. 82 (1938); “Die Liebe der Danae,” Op. 83 (1944).
1919Director of the Vienna State Opera. Premiere there of “Die Frau ohne Schatten,” Op. 65.
1931Collaboration with Stefan Zweig.
from 1944Composition of his last works: Metamorphosen, for 23 solo strings, Oboe Concerto in D major, Four Last Songs.
1949Death in Garmisch-Partenkirchen on September 8.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

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Ulrich Krämer (mws-henle.person.role.HERAUSGEBE)

Dr. Ulrich Krämer, born in 1961 in Bielefeld, is Head of the Research Centre at the Arnold Schönberg Complete Edition in Berlin. He read musicology and German in Hamburg and Bloomington and wrote his doctoral thesis under the supervision of Rudolf Stephan on Alban Berg as a pupil of Arnold Schönberg.

In addition to his editorial work, he has been a lecturer at the Hochschule für Musik “Hanns Eisler” and at the Berlin University of the Arts, as well as “Visiting Scholar” at the Graduate Center at the City University New York. Alongside the volumes he has prepared for the Schönberg Complete Edition (including the score of the Gurre Lieder which was awarded the Deutsche Musikeditionspreis), his scholarly publications include editions of Alban Berg’s student compositions and Theodor W. Adorno’s compositions found in his estate, as well as essays and articles on Brahms, Berg, Schönberg, Ravel and Astor Piazzolla.

Who better to finger and bow the supplementary violin part of this edition than the very fine violinist Arabella Steinbacher? ... Yet again, this is a first class edition from G. Henle Verlag. It is also available in the Henle Library.

Stringendo, 2021

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