Erik Satie
Avant-dernières Pensées
>As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries: Claude Debussy (for no. 1 “Idylle”), with whom he was close friends, Paul Dukas (no. 2 “Aubade”, in English “Dawn serenade”), whose music he greatly admired, and Albert Roussel (no. 3 “Méditation”), his former teacher of counterpoint at the Schola Cantorum in Paris.
内容/詳細
作曲家について

Erik Satie
Avant-garde composer in Paris around 1900 with an extremely unique oeuvre.
校訂者や運指担当者について

Ulrich Krämer (校訂)
In addition to his editorial work, he has been a lecturer at the Hochschule für Musik “Hanns Eisler” and at the Berlin University of the Arts, as well as “Visiting Scholar” at the Graduate Center at the City University New York. Alongside the volumes he has prepared for the Schönberg Complete Edition (including the score of the Gurre Lieder which was awarded the Deutsche Musikeditionspreis), his scholarly publications include editions of Alban Berg’s student compositions and Theodor W. Adorno

Pascal Rogé (運指)
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