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Canon und Gigue for three Violins and Basso continuo D major

作曲家について

 

もっと読む...

Johann Pachelbel

A German composer and organist of the Baroque era. As a representative of the Nuremberg school of organ playing and of the Southern German organ tradition his output was particularly shaped by the Lutheran chorale. As well as numerous choral transcriptions and variations he wrote larger-scale organ works such as preludes and toccatas, as well as cantatas, masses, and motets.

1653Baptized in Nuremberg on September 1. He receives his musical education from Heinrich Schwemmer and Georg Caspar Wecker.
1669On June 29 he matriculates at the University of Altdorf.
1670He switches to the Protestant Gymnasium Poeticum in Regensburg, and deepens his musical studies with Kaspar Prentz.
1673–76A resident of Vienna, he was probably active as deputy organist at St. Stephen’s Cathedral.
1677In May he is appointed organist at the court in Eisenach.
1678–90As organist at the Predigerkirche in Erfurt he is tasked, among other things, with an annual public performance. His pupils include Johann Christoph Bach, a member of the Bach family, with whom he is on friendly terms.
1690On December 2 he enters the services of Duchess Magdalena Sibylla at the court in Stuttgart.
1692–95Due to war he quits Stuttgart and becomes municipal organist in Gotha.
1695As the successor of Caspar Wecker, Pachelbel begins service as organist at the Church of St. Sebaldus in Nuremberg. Here, Johann Jacob de Neufville and Johann Georg Christian Störl number among his pupils.
1706Dies in Nuremberg; buried on March 9.

校訂者や運指担当者について

Norbert Müllemann (校訂)

Dr. Norbert Müllemann, born in 1976 in Cologne, studied musicology, German philology and philosophy at the University of Cologne whilst at the same time studying the piano at the Music Conservatory in Cologne.

In 2004 he began working at G. Henle Publishers as an intern. In 2005 he became a junior editor, whilst at the same time starting his doctorate at the Ludwig-Maximilians-Universität in Munich. He completed it in 2008 with a thesis entitled “Handschriften Frédéric Chopins bis 1830. Studien zur Authentizität, Datierung und Werkgenese”. Since 2008 Müllemann has been an editor at the publishing house, becoming editor-in-chief in 2017. He has edited numerous Urtext editions for the publisher with a particular focus on the works of Frédéric Chopin.

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