Robert Schumann
Complete Piano Works, Volume IV
For the first time since Clara Schumann’s Complete Edition of 1879–93, all of the works for piano solo are appearing as one editorial project. Spanning almost ten years of painstaking work, all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined each edition and also dedicated himself to those works that were previously missing from our catalogue. The result is being published in this new collection, comprising six volumes, which are available both in paperbound and clothbound editions, as well as study editions in a slipcase. They replace the former four volumes (HN 108–HN 115). Arranged clearly according to opus numbers, it includes not only all of Schumann’s piano works, revised to reflect the latest scholarly findings, but also informative accompanying texts, alternative versions and much more besides.
作曲家について
Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
校訂者や運指担当者について
Ernst Herttrich (校訂)
From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.
He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat
Walther Lampe (運指)
He first appeared as a concert pianist, but in 1920 was appointed as a professor and head of a class at the Münchener Akademie der Tonkunst. After Lampe was given emeritus status in 1937, he took on a piano class at the Mozarteum in Salzburg. Günter Henle, who grew up in Munich, was a private pupil of Lampe’s, from the age of 15 (in 1914). In his autobiography he wrote of his piano teacher in the following glowing terms:
“The years in which Walther Lampe, the renowned pianist and Head of piano master-clas
Hans-Martin Theopold (運指)
製品安全に関する情報
G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
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81476 München
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