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難易度 (解説)
この難易度の他の作品
Fantasy Pieces for Piano and Clarinet, Version for Violoncello op. 73
4 中級

作曲家について

Robert Schumann

Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).

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校訂者や運指担当者について

Ernst Herttrich (校訂)

Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.

From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.

He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publicat
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Hans-Martin Theopold (運指)

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,
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製品安全に関する情報

G. Henle Verlag

製品の製造元に関する情報はこちらでご覧いただけます。

G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com

The sheer popularity of the Fantasiestücke begs the question whether another edition of these pieces is really necessary, but the quality of the edition under review more than counters such concerns. That the print quality and layout is excellent – sharp and clearly laid out – almost goes without saying. But it is Ernst Herttrich’s exceptional editorial work, preface and comments that really make this edition worthwhile.

Nineteenth-Century Music Review, 2007

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