Frédéric Chopin

Impromptus

Ewald Zimmermann (校訂)

Hans-Martin Theopold (運指)

Urtext Edition, clothbound

Piano solo

ページ数 54 (V+49), 大きさ 23,5 x 31,0 cm

重さ 466 g

HN 236 · ISMN 979-0-2018-0236-7

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Hardly unexpectedly for a genre created by Franz Schubert, Chopin’s four Impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the other two were composed during Chopin’s relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading, since the piece had already been written in 1834 as the first of the four works. Chopin had apparently not envisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana.The print diverges so strongly from the – fortunately – extant autograph, however, that both versions are reproduced in the Henle Urtext edition.

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難易度 (解説)

この難易度の他の作品

Impromptu A flat major op. 29

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Impromptu F sharp major op. 36

7 上級

Impromptu G flat major op. 51

7 上級

Fantaisie-Impromptu c sharp minor op. 66

7 上級

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作曲家について

Frédéric Chopin

Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.

校訂者や運指担当者について

Ewald Zimmermann (校訂)

Dr. Ewald Zimmermann (1910–1998) studied the piano (Privatmusiklehrer-Examen with Eduard Erdmann) and musicology, doing a doctorate in the latter following his time as a soldier in World War II and subsequent time as a prisoner of war in Russia. In 1953 he became the first editor in the history of G. Henle Publishers, where he worked for 22 years alongside the founder of the publishing house, Günter Henle, in Duisburg, actively and deftly supporting the young company’s initial steps. Zimmermann was in charge of almost all of the Urtext editions that were produced in his time, himself editing several volumes, including all of Frédéric Chopin’s works for piano. Under his direction, the first scholarly catalogue of Chopin’s musical works of the time (Krystyna Kobylańska) was produced, issued

Hans-Martin Theopold (運指)

Prof. Hans-Martin Theopold, was born to a pastor’s family in Detmold on 22 April 1904, the youngest of five children. Even as a child he often played the organ in the “Marktkirche” and soon began to take piano lessons with Theodor Vehmeier. At the age of 17 he made his debut at the Landestheater in Detmold with Ludwig van Beethoven’s Piano Concerto in C major under Friedrich Quast (Herford). Following the successful completion of his schooling at the Gymnasium Leopoldinum in Detmold, he went on to study music and piano (main subject): from 1922–23 at the “Württembergische Hochschule für Musik” in Stuttgart (with Max Pauer, 1866–1945) and then from 1923–1928 at the “Staatliche Akademische Hochschule für Musik” in Berlin-Charlottenburg (with Richard Rössler, 1880–1962, and Waldemar Lütschg,

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G. Henle Verlag

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G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
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Frédéric Chopin

Impromptus

Frédéric Chopin

Impromptus

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作曲家について

Frédéric Chopin

校訂者や運指担当者について

Ewald Zimmermann (校訂)

Hans-Martin Theopold (運指)

製品安全に関する情報

G. Henle Verlag

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