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Georg Friedrich Händel

Nine German Arias for Soprano, Solo Instrument and Basso continuo

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Georg Friedrich Händel

Nine German Arias for Soprano, Solo Instrument and Basso continuo

Ullrich Scheideler (校訂, Figured bass realisation)

Urtext Edition, paperbound

Voice and miscellaneous instruments

Original keys for high voicecontains a score both with and without a realization of the figured bass, the solo instrument part and the bass line without numbers

ページ数 118 (IX+41+29+27+12), 大きさ 21,0 x 29,7 cm

重さ 430 g

HN 968 · ISMN 979-0-2018-0968-7

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Nine German Arias

Künft'ger Zeiten eitler Kummer E flat major HWV 202

Das zitternde Glänzen der spielenden Wellen E flat major HWV 203

Süßer Blumen Ambraflocken g minor HWV 204

Süße Stille, sanfte Quelle F major HWV 205

Singe, Seele, Gott zum Preise a minor HWV 206

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作曲家について

Georg Friedrich Händel

He numbers among the most important composers of Italian operas and is a major proponent of the oratorio; his immense oeuvre also comprises concerti grossi and solo concertos, liturgical music, chamber music, and music for keyboard instruments. He worked in London.

1685	Born in Halle (Saale) on February 23.
1702	Organist at the Palace Cathedral in Halle.
1703	Employed as a violinist, later as a harpsichordist, at the Oper am Gänsemarkt in Hamburg; premiere in 1705 of the opera “Der in Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien” (“The Change of Fortune Won in Crowns, or: Almira, Queen of Castile”).
1706–10	Stay in Italy, with opera performances.
1710	Employed as music director by the Elector of Hanover. The 1711 London premiere of “Rinaldo” is a great success. In 1712, he will travel once more to London, where he will remain for the rest of his life.
from 1720	Important position at the Royal Academy of Music, which he founded in 1717.
from 1724	Successful premieres of “Giulio Cesare in Egitto,” “Tamerlano,” “Rodelinda” in 1725, and “Alessandro” in 1726.
1728	After the dissolution of the Royal Academy of Music, Handel continues to lead his own company.
1733	Competition from the Nobility Opera, which is supported by the aristocracy. Premiere of “Orlando.”
1734	Engagement of a French ballet troupe to outdo the Nobility Opera. Integration of French elements into his own operas.
from 1735	Premiere of “Alcina,” “Giustino” in 1737, “Serse” in 1738 (containing the famous largo “Ombra mai fù”).
1736	Three “Water Music Suites,” HWV 348–350.
1739	Twelve “Concerti grossi,” Op. 6, after Corelli’s example.
1741	Unsuccessful premiere of the melodrama “Deidamia”. From then on, composition of oratorios, including “Messiah” (1741), “Judas Maccabaeus” (1746), and “Jephtha” (1751).
1749	“Music for the Royal Fireworks,” HWV 351.
1759	Death in London on April 14.