Joseph Haydn
Piano Concerto (Harpsichord) G major Hob. XVIII:4
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. The Concerto for piano and string orchestra Hob. XVIII:4 is full of spirit and the joy of playing. We know neither the occasion for which it was written, nor the year of its composition; the extensive preface to our edition of the playing score, with one string part each, discusses this in detail. As in the sources of the time, the solo part here also includes the bass line (with figures) for tutti sections. Axel Ruoff makes suggestions for the solo cadenzas required in movements 1 and 2; Haydn composed the cadenza for the concluding Rondo movement. This Urtext edition is based on the musical text of the Haydn Complete Edition, which is likewise published by G. Henle Publishers. The trade press applauds it: “In view of the scarcity of easier piano concertos, one can be thankful for this new edition, especially since it can be presented with a very small orchestra, perhaps even with a string quartet.”
内容/詳細
作曲家について

Joseph Haydn
His immense oeuvre documents the profound changes in music history during the second half of the eighteenth century, leading to the emancipation of instrumental music. His most important genres are the symphony and the string quartet, where he cultivated the technique of motivic-thematic development; he made significant contributions to the instrumental concerto and to piano music; during the last years of his life, he composed his great oratorios. Opera and art song take on a rather subordinate significance.
校訂者や運指担当者について

Horst Walter (校訂)
Dr. Horst Walter, born in 1931 in Hannover, studied musicology, German and philosophy at the University of Cologne. In 1962 he completed his doctorate with a thesis on the musical history of Lüneburg and that same year became a research associate at the Joseph Haydn-Institut.
From 1992 until his retirement he was its Head. He made numerous contributions to Haydn research, including articles of a biographical documentary and bibliographic nature. Horst Walter died on 4 April 2016.

Klaus Schilde (運指)
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he
製品安全に関する情報

G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
Als u altijd al eens zelf een pianoconcert hebt willen spelen, waarbij u ook nog zelf kunt dirigeren, dan geeft Henle met de uitgave van Haydn's tweede pianoconcert in G. Hoboken XVIII:4, u alle kans. Dit concert kann namelijk zowel met strijkorkest als in kamermuziekbezetting worden gespeeld. ... De uitgave is prachtig en zeer overzichtelijk. De strijkerspartijen zijn apart bijgevoegd en staan eveneens allemaal in de pianopartij afgedrukt. Het uitgebreide voorwoord vermeldt o.a. dat de versie met strijkers oorspronkelijk is, in tegenstelling tot de door latere uitgaven toegevoegde blazers.
Pianowereld, 2001Die vorliegende Ausgabe folgt der "bereinigten" Fassung der Gesamtausgabe und darf wohl als weitgehend authentisch angesehen werden. ... Das Werk ist ein echter, temperamentvoller und spielfreudiger Haydn. ... Beim Mangel an leichteren Klavierkonzerten darf man für diese Neuerscheinung dankbar sein, zumal sie auch mit einem sehr kleinen Orchester, vielleicht sogar einem Streichquartett präsentiert werden kann.
Schweizer Musikzeitung, 2001La presente edizione ripropone l'Urtext del secondo concerto per pianoforte composto da Joseph Haydn. ... Il curatore ha fatto riferimento alla versione pubblicata nel 1983 (sempre per le edizioni Henle) dal Joseph Haydn-Institut, ... Una pregevole edizione, dunque, che comprende anche le parti staccate degli archi in funzione di una possibile esecuzione solistica della stesse.
Hortus musicus, 2000Haydns Klavierkonzert D-dur ist das zweite in der Reihe der "Clavierconcerte", um 1770 geschrieben und wahrscheinlich schon für das Klangideal des Pianoforte komponiert. Nach einer Fülle eigenartig verwässerter und mit offensichtlich unechten Zusätzen versehenen Ausgaben legt Henle nun eine auf der Gesamtedition basierende praktische Urtext-Ausgabe vor, die kaum Wünsche übrig lässt. Das Druckbild ist fantastisch, alle Stimmen sind mit fabelhaften Wendestellen ausgestattet.
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