Lili Boulanger

Piano Pieces

Andreas Pernpeintner (校訂)

David Kadouch (ピアノの運指)

Urtext Edition, paperbound

Piano solo

ページ数 21 (V+16 ), 大きさ 23,5 x 31,0 cm

HN 1689 · ISMN 979-0-2018-1689-0

The musical world has set out on a great journey of discovery. Women composers who were previously known only to a few are now being performed more frequently. In this regard, Lili Boulanger is considered one of the most important discoveries. In 1913, she became the first woman to win the highest distinction at the prestigious Prix de Rome composition competition. The prize consisted of a scholarship and a study sojourn in the Villa Medici in Rome. Composed there in 1914 were, among other things, several piano pieces, for example “D’un vieux jardin” (From an old garden), “D’un jardin clair” (From a radient garden), and “Cortège” (Procession) that masterfully oscillate between impressionism and modernism, and were published immediately after Boulanger’s death. The Urtext edition of Lili Boulanger’s eminently nuanced piano pieces, for the most part lie well under the fingers, is based above all on the first editions and the autographs. David Kadouch, a specialist for the works of Lili Boulanger, to provided the fingerings. A true enrichment for the piano repertoire!

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内容／詳細

D’un vieux jardin

D’un jardin clair

Cortège

YouTube

校訂者や運指担当者について

Andreas Pernpeintner (校訂)

Andreas Pernpeintner, born in 1982, read music pedagogy, musicology and history at the Ludwig Maximilian University of Munich (LMU). Expansion of his thesis into the book publication “Klaviertechnik nach Ansgar Janke. Bewegungsoptimierung beim Instrumentalspiel”. In 2012 doctorate in musicology with the thesis “Aloys Georg Fleischmann (1880–1964). Musikalische Mikrogeschichte zwischen Deutschland und Irland”, research stays in Ireland and Great Britain, doctorate on a scholarship from the “Studienstiftung des Deutschen Volkes”. Pernpeintner worked for the “Bayerische Musiker-Lexikon Online”. From 2011 to 2024, he was employed by the “Kritische Ausgabe der Werke von Richard Strauss”, for which he edited all of the composer’s lieder with piano accompaniment. As a music journalist he has written for the newspaper Süddeutsche Zeitung. Since 2024 he has been an editor at G. Henle Publishers with a focus on piano music and works by female composers.