Frédéric Chopin
Piano Sonata b minor op. 58
ショパンは、古典派の主要な形式であるソナタ形式の作品をごくわずかしか残していませんが、その中でもピアノソナタOp. 58は、間違いなく彼の最も重要な作品のひとつです。この作品は、以前の変ロ短調のソナタよりも形式的にはより従来型であるものの、その姉妹作品と同様、ロマンチックな詩情、魅力的な旋律、そして華麗な技巧に満ちています。これまでのヘンレ原典版が、より幅広い資料に基づいて改訂されました。ショパンのレッスンでの有益な修正が記載された、別の弟子の楽譜を原典史料に追加していますが、特に重要なのが、ショパン自身の修正が反映された、フランスでの初版の後期版です。こうしてロ短調のソナタは、改良された音楽テクストと詳細な校訂報告とともに、再び出版されました。
内容/詳細
(解説)
作曲家について
Frédéric Chopin
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.
| 1810 | Born in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight. |
| 1822 | Private instruction in composition. |
| 1825 | Rondo in C minor, Op. 1, his first published work. |
| 1826–29 | Studies at the Institute of Music in Warsaw. |
| 1829 | “Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations. |
| 1829–33 and 1835–37 | Etudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands. |
| 1830 | Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor. |
| 1831 | Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life. |
| 1832 | Debut concert in Paris to great acclaim. |
| 1835/38 | “Trois valses brillantes,” Op. 34. |
| 1836/39 | “24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces. |
| 1835/39 | Piano Sonata in B-flat minor, Op. 35, with the funeral march. |
| 1842/43 | Ballade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54. |
| 1844 | Piano Sonata in B minor, Op. 58 |
| 1849 | Completion of the mazurkas in G minor and F minor. Death in Paris on October 17. |
校訂者や運指担当者について
Norbert Müllemann (校訂)
Dr. Norbert Müllemann, born in 1976 in Cologne, studied musicology, German philology and philosophy at the University of Cologne whilst at the same time studying the piano at the Music Conservatory in Cologne.
In 2004 he began working at G. Henle Publishers as an intern. In 2005 he became a junior editor, whilst at the same time starting his doctorate at the Ludwig-Maximilians-Universität in Munich. He completed it in 2008 with a thesis entitled “Handschriften Frédéric Chopins bis 1830. Studien zur Authentizität, Datierung und Werkgenese”. Since 2008 Müllemann has been an editor at the publishing house, becoming editor-in-chief in 2017 and Head of Publishing in 2024. He has edited numerous Urtext editions for the publisher with a particular focus on the works of Frédéric Chopin.
製品の安全性と保証
G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
Für ernsthaft interessierte Interpreten empfiehlt es sich, Fußnoten und Anmerkungsapparat gründlich zu studieren. Da die Edition mit zwei vollständigen Fassungen aufwartet, erhält der Spieler überdies die Möglichkeit, die Differenzen selbst aufzuspüren und sich für die eine oder andere zu entscheiden. … Die Edition verfügt über alle Vorzüge einer Urtext-Ausgabe bis hin zum Abdruck der ersten Seite der autographen Stichvorlage für Breitkopf und Härtel. … Der Fingersatz stammt von Wolfram Schmitt-Leonardy, von dem auch eine Einspielung der 3. Sonate existiert. Dieser Pianist weiß genau, was er tut.
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