Maurice Ravel
Prélude à l'après-midi d'un faune
Ravel had limitless admiration for Debussy’s famous orchestral work, going so far as to say in an interview that it was his innermost wish to die to the sounds of this “unique marvel in the whole of music”. Since Debussy had himself already published a version for two pianos, Ravel in 1910 undertook an arrangement for piano 4-hands. It was published that same year by Fromont in Paris, and made an impact all of its own. We have been able to recruit Debussy specialist Denis Herlin as editor of this Henle Urtext edition, the first to evaluate all the available sources. The fingerings are by Andreas Groethuysen of the famous Tal & Groethuysen Duo.
作曲家について
Claude Debussy
Most important French composer around 1900, whose music, primarily characterized by its sound, exhibits profound innovations. His oeuvre bears a close relationship to Symbolism.
Maurice Ravel
Together with Satie and Debussy, Ravel numbers among the innovators who had a falling out with academic education and created their own avant-garde tonal languages – inspired, in Ravel’s case, by Russian and Spanish music, but also by exoticism – without abandoning tonality. This master of orchestration begins with piano works, which he orchestrates; songs with piano and piano compositions exist on an equal footing in orchestral versions.
校訂者や運指担当者について
Andreas Groethuysen (運指)
Prof. Andreas Groethuysen, born in 1956 in Munich, studied music with Ludwig Hoffmann in Munich and, on a scholarship from the “Studienstiftung des Deutschen Volkes”, with Peter Feuchtwanger in London.
After several years as a soloist, Groethuysen formed a piano duo with Yaara Tal, which has now become the focus of his artistic work. The duo regularly performs in many European countries, in Israel, China, North and South America. In exclusive cooperation with SONY CLASSICAL the internationally acclaimed piano duo has released a great many CDs – 28 to date – almost all of which have been awarded prizes.
製品安全に関する情報
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