Alexander Scriabin
Prélude et Nocturne for Piano, left hand op. 9
Urtext Edition, paperbound
Piano solo
ページ数 14 (V+9),
大きさ 23,5 x 31,0 cm
重さ 83 g
HN 1013
·
ISMN 979-0-2018-1013-3
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1891年の夏、スクリャービンは練習のしすぎで右手を負傷しました。そこで彼は左手で演奏する技術を磨き、1894年に『左手のための前奏曲と夜想曲 Op. 9』を作曲しました。この2曲は1年後に出版され、すぐに大人気を博しました。1906年にはアメリカでも非常に人気が高まりました。スクリャービンはニューヨークからこう報告しています。「この地の出版社が私の左手のための夜想曲を再版したところ、何千部も売り切れたそうです。[中略]私の人気は絶大です！」
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作曲家について
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Alexander Skrjabin
Russian composer and pianist. The focal point of his oeuvre is his extremely unique piano music; in addition, he wrote important orchestral works.
| 1872 | Born in Moscow on January 6, the son of a pianist (his mother); she died in 1872. |
| 1888–92 | Piano studies at the Moscow Conservatory |
| 1888–96 | Twenty-four Preludes, Op. 11, containing all the hallmarks of Scriabin’s early period: broad, ornamental cantilenas underpinned by figurations and arpeggios in the style of Chopin, complex rhythmic structure from polyrhythms and syncopations. |
| 1892–1913 | Composition of ten piano sonatas. |
| 1896 | Travels to Paris, Vienna, Rome. |
| 1897 | Piano Concerto in F-sharp minor, Op. 20, in the style of Chopin. |
| 1897–1909/10 | He primarily composes orchestral pieces, including the major works “Le Poème de l’extase” (“The Poem of Ecstasy”) for large orchestra (1905–07), Op. 54, and “Prométhée ou Le Poème du feu” (“Prometheus or The Poem of Fire,” 1908–10); orientation toward Liszt and Wagner; programmatic music with occasional annotations in the musical score, incorporation of philosophical notions into his compositions, which are defined by various philosophical movements from around the turn of the century. Unusual intervals, harmonically at the edge of tonality. |
| 1899–1904 | Composition of his three symphonies, Opp. 26, 29, and 43. |
| 1904 | He resides in Switzerland. |
| 1906 | Invitation to the United States. |
| 1910 | Return to Russia. |
| 1908–10 | “Prométhée ou Le Poème du feu” for piano, orchestra, organ, choir, and clavier à lumière, Op. 60: enrichment of musical performance through plays of light. 1911–14, piano compositions, Opp. 61–74, with avant-garde harmonies. |
| 1913 | Beginning of the multisensory “Acte préalable” (“Prefatory Action”), which is never completed. |
| 1915 | Death in Moscow on April 27. |
校訂者や運指担当者について
Valentina Rubcova (校訂)
Valentina Rubcova holds a doctorate in musicology, is editor-in-chief of the Moscow music publishing house “Muzyka – P. Jurgenson Publishing House” and deputy head of research at the Scriabin Memorial Museum Moscow.
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G. Henle Verlag
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