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Silent Woods op. 68,5
4 中級

序文

The nineteenth century was insatiable in its demand for popular works arranged for all imaginable combinations of instruments – a demand from which V hoven. The new theory maintains that the treble clef sounds in the same register as notated, in which case, however, it must be understood consistently in that sense, and not sometimes one way and sometimes another” (quoted f... 続き

作曲家について

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Antonín Dvorák

With Smetana he is the most famous Czech composer of the nineteenth century, contributing to the dissemination and appreciation of Czech music throughout the world. Among his around 200 works, encompassing all standard genres, are nine symphonies, fourteen string quartets, and twelve operas.

1841Born in Nelahozeves (Mühlhausen) on the Vltava River on September 8, the son of a butcher and innkeeper.
1853Attends the training school in Zlonice; there he receives a comprehensive musical education from Josef Toman and the cantor Antonín Liehmann; subsequent education in Česká Kamenice (1856–57).
1857–59Studies at the organ school in Prague. Until 1871 he will earn his living as a music teacher, organist, and violist.
1861String Quintet No. 1 in A minor, considered his first work.
1862Position as solo violist in the orchestra of the Bohemian Provisional Theater (conducted by Smetana, among others)
1873Breakthrough with the premiere in Prague of his patriotic hymn “The Heirs of the White Mountain,” Op. 30. Employment at the private Prague School of Music. Several state scholarships.
1874–77Organist at St. Adalbert church.
from 1876“Moravian Duets,” Opp. 20, 29, 32, and 38 (1876–77), “Slavonic Rhapsodies,” Op. 45 and the first series of “Slavonic Dances,” Op. 46 (both from 1878) enjoy great success. His fame abroad grows.
1882Premiere of the opera “Dimitrij”, in the tradition of grand opera.
1884First invitation to England, after which eight more will follow.
1886Premiere of his oratorio “Saint Ludmila,” Op. 71.
1891Professor of composition at the Prague Conservatory.
1891–95Director of the National Conservatory of Music in New York.
1893Premiere in New York of Symphony No. 9, “From the New World,” Op. 95 (American folkloric elements, cyclic techniques).
1901Premiere in Prague of his most famous opera, “Rusalka.”
1904Premiere in Prague of his last opera, “Armida.” Death in Prague on May 1.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

校訂者や運指担当者について

Milan Pospísil (校訂)

Dr. Milan Pospíšil, born in 1945, studied music theory and music history at the Charles University in Prague as well as at the Ruhr-Universität in Bochum (1963–1969); in 1971 he did his doctorate there with a thesis on “Giacomo Meyerbeer: Les Huguenots. Příspěvek k analýze stylu”, and at the Czechoslovak Academy of Sciences in 1988 on “Antonín Dvořák: Dimitrij, op. 64. Kritická edice”.

He worked as a specialist and scholar at the Czechoslovak Academy of Sciences (now Academy of Science of the Czech Republic) in Prague for almost 30 years. In 1981 he co-founded the Smetana Festival and the interdisciplinary symposium on the issues of the 19th century in Pilsen, which still takes place today. Since 2000 he has been the curator and a research associate at the National Museum in Prague.

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Klaus Schilde (運指)

Prof. Klaus Schilde, born in 1926, spent his childhood in Dresden. There he was greatly influenced by Walter Engel, who taught him the piano (Kodaly method), composition and violin. From 1946–1948 he studied at the music conservatory in Leipzig with Hugo Steurer. After moving to the west in 1952 he studied with Walter Gieseking and Edwin Fischer, as well as with Marguerite Long, Lucette Descaves and Nadia Boulanger in Paris.

Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he also taught for decades as a professor. There are numerous radio and television broadcasts with Klaus Schilde as well as CD recordings. Schilde has contributed fingerings to almost 100 Henle Urtext editions.

Prof. Klaus Schilde passed away on 10 December, 2020.

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