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Sonata for Violoncello solo op. 28
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Eugène Ysaÿe (1858 ène (1858–1931) was one of the leading violinists of the fin-de-siècle and the early twentieth century. He was a professor of violin at Brussels Conservatory, a celebrated soloist, a performer of chamber music with many outstanding musicians, a composer, and in his later years increasingly a conductor. It was this latter period that saw the birth of his ... 続き

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Eugène Ysaÿe

A Belgian violinist, conductor, and composer, whose virtuosic playing, rich in tone color, significantly influences generations of violinists. His late-Romantic compositions, of which only a few survive, comprise instrumental and chamber music works.

1858Born in Liège on July 16. He receives his first violin lessons from his father.
1865–69At the Brussels Conservatory he studies violin with Désiré Heynberg.
from 1869Concert tours with his father take him through Belgium, Germany, Switzerland, and France, where he performs as a prodigy.
1872He continues his studies with Rodolphe Massatt.
from 1874In Brussels he is a pupil of Henri Vieuxtemps and Henryk Wieniawski.
1876–79He follows Vieuxtemps to Paris, where among others he meets César Franck, Anton Rubinstein, and Raoul Pugno.
1879–82He is concertmaster of the Bilse Orchestra in Berlin. He meets Clara Schumann and Joseph Joachim.
1882Together with Rubinstein he sets out on a concert tour through Russia and Scandinavia.
from 1883In Paris he rises to becomes a well-regarded interpreter and frequent dedicatee of all of France’s great composers, including Claude Debussy, Gabriel Fauré, Ernest Chausson, and Camille Saint-Saëns.
1886–97He teaches at the Royal Conservatoire in Brussels and gives concerts regularly, including with Enrique Granados, Ferruccio Busoni, and Sergei Rachmaninoff.
1912Appointed court music director and Grand Officier de l’Ordre de Léopold.
1917–22He emigrates to the United States, leads the Cincinnati Orchestra, and teaches at the conservatory in that city.
1922–30Back in Belgium, he undertakes a few more concert tours.
1931Dies in Brussels on May 12.

Der Herausgeber Christian Bellisario zeichnet für das Vorwort, die ausführlichen kritischen Bemerkungen, welche die Editionspraxis erläutern, Fingersätze und Bogenstriche. Es wird deutlich unterschieden zwischen Bezeichnungen des Komponisten und solchen des Herausgebers. Die Ausgabe ist tadellos und erscheint bei Henle gleichzeitig mit den Sonaten für Violine.

Schweizer Musikzeitung, 2005

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