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String Quartet E flat major op. 127
Anhang: Allegretto for String Quartet b minor WoO 210

作曲家について

Ludwig van Beethoven

No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.

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校訂者や運指担当者について

Emil Platen (校訂)

Prof. Dr. Emil Platen, born in 1925 in Düsseldorf, did his school-leaving certificate in April 1946 after have done fatigue duty and military service in the Navy. He began studying musicology at the University of Cologne for two semesters, before changing to viola, composition (with Wilhelm Maler) and choral direction (with Kurt Thomas) at the Music Academy in Detmold. Following his exam as a choral director (1950) he continued his studies of musicology and in 1957 received his doctorate from the University of Bonn with a thesis entitled “Chorische Choralbearbeitungen von Johann Sebastian Bach”.

He spent several years working as a research associate at the Beethoven-Archiv in Bonn. As a “lecturer for practical music”, he was then put in charge of Bonn University’s musical activities, and
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製品安全に関する情報

G. Henle Verlag

製品の製造元に関する情報はこちらでご覧いただけます。

G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com

Insgesamt ist zu sagen, dass sämtliche Revisionen der vorliegenden Studien-Edition der Beethoven’schen Streichquartette den hohen Maßstäben einer sachlichen und kompetenten Textkritik standhalten, und dass damit dem ausübenden Musiker ein Notentext in die Hand gegeben wird, der aufgrund textkritischer Probleme zu einer intensiven Auseinandersetzung mit Beethovens Kompositionen führen möge.

Österreichische Musikzeitung, 2005

Henle have given us their customarily precise and scholarly reconstruction of this quartet. ...The 17 by 24 cm score has a spacious layout of no more than 16 staves per page (four parts bracketed together) and is easily readable, making an indispensable tool for rehearsals. The parts are cleverly arranged so that three pages unfold where necessary; for example in the long slow movement where there are barely any rests.Henle acknowledges that it does not have all the answers to Beethoven's many discrepancies and unconventional styles of notation, but nevertheless motivates us to confront this magnificent work more deeply and to seek the composer's true intent.

Music Teacher Magazine online, 2004

Die hohe Qualität der von Henle betreuten Urtext-Editionen und Sorgfalt, mit der Emil Platen sein Amt als Herausgeber versehen hat, ein weiteres Mal zu rühmen, hieße Eulen nach Athen zu tragen.

Ensemble, 2004

Das selbst gesteckte Ziel, einen Notentext zu erstellen, "der den Absichten Beethovens so genau wie möglich entspricht" ist hier eindrucksvoll erreicht worden.

Ensemble, 2003

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