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難易度 (解説)
この難易度の他の作品
Fantasy Pieces op. 43
Andantino con moto F major op. 43,1
4 中級
Allegro vivace B flat major op. 43,2
5 中級
Ballade. Moderato - Tempo animato g minor op. 43,3
5 中級
Allegro molto vivace A flat major op. 43,4
6 中級

作曲家について

Niels Wilhelm Gade

Composer, conductor, and organist, regarded as one of the most important figures in Danish music history. His early works in particular are characterized by a musical language dubbed nationalist due to its strong references to Nordic folk tunes; over the course of his career this yields to a more neutral and more academic compositional manner. His rich oeuvre comprises orchestral and vocal works, chamber music and works for keyboard.

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校訂者や運指担当者について

Nicolai Pfeffer (校訂)

Klaus Schilde (運指)

Prof. Klaus Schilde, born in 1926, spent his childhood in Dresden. There he was greatly influenced by Walter Engel, who taught him the piano (Kodaly method), composition and violin. From 1946–1948 he studied at the music conservatory in Leipzig with Hugo Steurer. After moving to the west in 1952 he studied with Walter Gieseking and Edwin Fischer, as well as with Marguerite Long, Lucette Descaves and Nadia Boulanger in Paris.

Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he
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製品安全に関する情報

G. Henle Verlag

製品の製造元に関する情報はこちらでご覧いただけます。

G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com

I Fantasiestücke di Gade sono tutt’oggi apprezzati. La nuova edizione, però, aumenterà ancora l’interesse per la musica da camera del maestro danese.

Suonare news, 2018

This urtext edition is full of interesting information, not only about Niels Gade, but also about the word “fantasy” or “fantasia”. Editor Nicolai Pfeffer explains that in the 19th century, the highly popular “fantasy” form was “rather unrestrictive”. This printed edition seems to be flawless, and the phrasings and articulations are carefully marked. It includes three pages of the sources used and the justifications for edits made. Highly recommended!

The Clarinet, 2019

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