Franz Liszt
Isoldens Liebestod from “Tristan und Isolde”
>His congenial rendition of the famous closing scene (“Mild und leise, wie er lächelt”) for the piano is, incidentally, the source of the title that we are so familiar with today, “Isoldens Liebestod” (Isolde’s Love Death) – Wagner himself only spoke of Isolde’s “transfiguration”. We are now publishing Liszt’s sophisticated – but not impossibly difficult – piano setting in the finest Urtext quality, including the original fingerings by the master of the piano. The text of this final scene can be found in an appendix to our edition.
校訂者や運指担当者について
Dominik Rahmer (校訂)
Dr. Dominik Rahmer, born in 1971 in Mainz, studied musicology, philosophy and maths in Bonn. He did his Magister Artium in 1999 and his doctorate in 2006 with a thesis on the music criticism of Paul Dukas.
From 2001 to 2011 he was employed at Boosey & Hawkes/Bote & Bock in Berlin, where he also worked on the Critical Edition of the Works of Jacques Offenbach (OEK). Since 2011 he has been an editor at G. Henle Publishers in Munich, with a particular focus on French and Russian music and works for wind instruments.
製品安全に関する情報
G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
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