Maurice Ravel

Pavane pour une infante défunte

Alexandra Marx (校訂)

Pascal Rogé (運指)

Urtext Edition, paperbound

Piano solo

ページ数 15 (V+10), 大きさ 23,5 x 31,0 cm

重さ 85 g

HN 1260 · ISMN 979-0-2018-1260-1

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Pavane pour une infante défunte

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Maurice Ravel

Together with Satie and Debussy, Ravel numbers among the innovators who had a falling out with academic education and created their own avant-garde tonal languages – inspired, in Ravel’s case, by Russian and Spanish music, but also by exoticism – without abandoning tonality. This master of orchestration begins with piano works, which he orchestrates; songs with piano and piano compositions exist on an equal footing in orchestral versions.

1875	Born in Ciboure on March 7; the family moves to Paris that same year.
1882	Lessons in piano, theory, and composition.
1889	Beginning of his studies at the Conservatoire de Paris, from which he will never graduate.around 1893 Influence of Chabrier and Satie.
1901	“Jeux d’eau” for piano, in a new “Impressionist” tonal language, as is “Miroirs” (1904–05).
1903	“Shéhérazade” for voice and piano/orchestral accompaniment with orientalist tonal elements.
1905	Scandal surrounding Ravel’s third application for the Prix de Rome.
1907	Premiere of the “Histoires naturelles” after Jules Renard provokes astonishment in audiences and critics.
1907–08	Rhapsodie espagnole for orchestra.
1908/10	“Ma mère l’oye” (“Mother Goose”) for piano, four-hands, as a ballet in 1911.
1911	Premiere in Paris of his opera “L’Heure espagnole.”
1911/12	“Valses nobles et sentimentales” for piano/orchestra. Premiere of the ballet “Daphnis et Chloé” in 1912.
1914/19	“Le tombeau de Couperin” for piano/orchestra anticipates the coming neoclassicism.
from 1920	Many concert tours through Europe and the United States.
1925	Premiere of his opera “L’Enfant et les sortilèges.”
1928	Conferral of an honorary doctorate from Oxford University. “Bolero” for orchestra.
1929–31	Piano Concerto in G major with elements of jazz.
1937	Death in Paris on December 28.