Johannes Brahms
Ser. 6, Vol. 1 | Works for Choir and Quartets for Mixed Voices with Piano or Organ, Volume 1
Complete Edition with critical report, clothbound
Voice and Piano
ページ数 318 (L+268),
大きさ 25,5 x 32,5 cm, © 2020
重さ 1613 g
HN 6032
·
ISMN 979-0-2018-6032-9
内容/詳細
Works for Choir and Quartets for Mixed Voices with Piano or Organ, Volume 1
Der 13. Psalm für dreistimmigen Frauenchor mit Orgel oder Klavier op. 27
Geistliches Lied für vierstimmigen Chor mit Orgel oder Klavier op. 30
Drei Quartette für vier Singstimmen und Klavier op. 31
Liebeslieder. Walzer - Fassung für Klavier zu vier Händen und Gesang ad libitum op. 52
Liebeslieder. Walzer - Fassung für Gesang und Klavier zu zwei Händen op. 52
Neue Liebeslieder. Walzer für vier Singstimmen und Klavier zu vier Händen op. 65
„Ihr schwarzen Augen“ - Fassung für Gesang und Klavier zu zwei Händen op. 65,4
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Johannes Brahms
His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.
1833 | Born in Hamburg on May 7, the son of a musician. His first piano instruction with Willibald Cossel at age seven, then with Eduard Marxen; first public performances from 1843. |
1853 | Concert tour through German cities; he meets Schumann, who announces him as the next great composer in his essay “Neue Bahnen” (“New Paths”). A lifelong, intimate friendship develops with Clara Schumann. |
1854–57 | Piano Concerto No. 1 in D minor, Op. 15. |
1857–59 | Choir director, pianist, and teacher at the royal court in Detmold. |
1859–61 | Director of the Hamburg Women’s Choir. |
1860 | Manifesto against the New Germans around Liszt. |
1863 | Cantata “Rinaldo,” Op. 50. |
1863–64 | Director of the Wiener Singakademie. |
1868 | Partial performance in Vienna of “A German Requiem,” Op. 45 (the complete work premiered in Leipzig in 1869) |
1871–74 | Artistic director of the Gesellschaft der Musikfreunde (Society of Friends of Music) in Vienna. |
1873 | Haydn Variations, Op. 56a, for orchestra. |
from 1877 | His symphonic output begins with the Symphony No. 1 in C minor, Op. 68 (begun 1862); composition of the Symphony No. 2 in D major, Op. 73; the Symphony No. 3 in F major, Op. 90 (1883); and Symphony No. 4 in E minor, Op. 98 (1884–85): cantabile themes, chamber-music-like style. |
from 1878 | Travels in Italy. |
1878 | Violin Concerto in D major, Op. 77, for Joseph Joachim. |
1881 | Piano Concerto No. 2 in B-flat major, Op. 83, with a scherzo movement. |
1886 | Honorary president of Vienna’s Tonkünstlerverein (Association of Musicians). |
1897 | Four Serious Songs, Op. 121. Dies in Vienna on April 3. |