Maurice Ravel
Piano Concerto G major
Ravel’s plans for a piano concerto can be traced back to 1906, but it was only in early 1929 that the composer seriously started work on one. He later stated that he wrote it “in the spirit of the concertos by Mozart and Saint-Saëns”, the music being “cheerful and brilliant” and not “aiming for profundity or dramatic effects”. The outer movements are characterised by rhythmic drive and borrowings from jazz; while the slow movement, with its subtle shifts of accented beats, is entirely dedicated to melody. Alongside manuscripts and prints, a recording made under Ravel’s supervision by the work’s dedicatee, Marguerite Long, was consulted for this Henle Urtext edition. Since its successful premiere in January 1932 the concerto has been part of the repertoire of all great pianists, including Pascal Rogé, the French music expert who has provided the fingerings for the solo part.
内容/詳細
作曲家について

Maurice Ravel
Together with Satie and Debussy, Ravel numbers among the innovators who had a falling out with academic education and created their own avant-garde tonal languages – inspired, in Ravel’s case, by Russian and Spanish music, but also by exoticism – without abandoning tonality. This master of orchestration begins with piano works, which he orchestrates; songs with piano and piano compositions exist on an equal footing in orchestral versions.
校訂者や運指担当者について

Peter Jost (校訂)
Dr. Peter Jost, born in 1960 in Diefflen/Saar, read musicology, German and comparative studies at Saarland University in Saarbrücken. He did his PhD in 1988 with a thesis on Robert Schumann’s Waldszenen.
From November 1991 to April 2009 he was a research associate at the Richard Wagner Complete Edition in Munich, and since May 2009 has been an editor at G. Henle Publishers. His Urtext editions comprise predominantly French music of the 19th and 20th centuries, including works by Lalo, Saint-Saëns and Ravel.

Pascal Rogé (運指)

Johannes Umbreit (ピアノ・スコア)
He is on the jury of different international competitions and has been invited to several international music festivals. Umbreit was a teacher for almost ten years at the Musikhochschule in Munich and at the same time a lecturer for chamber music and piano accompaniment at the Richa
製品安全に関する情報

G. Henle Verlag
製品の製造元に関する情報はこちらでご覧いただけます。G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com
Henle hat es nun in einer sehr ansprechenden Ausgabe veröffentlicht, der Solopart ist deutlich hervorgehoben, die praktikablen Fingersätze stammen von Pascal Rogé. Die zweite Klavierstimme, die den Orchesterpart simuliert, wurde von Johannes Umbreit hervorragend arrangiert und liegt gut in den Fingern. … Pianisten, die das Konzert einstudieren möchten, treffen mit dieser Ausgabe eine gute Wahl.
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