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String Quartet c sharp minor op. 131

作曲家について

Ludwig van Beethoven

No composer has had as profound and sustained an influence on immediately following generations to the present day as Beethoven. His instrumental music, especially his symphonies, served as touchstones for symphonic composition throughout the nineteenth century. The extraordinarily high standard of his music and his relative independence as a freelance composer have led to his being characterized as the greatest composer of all time.

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校訂者や運指担当者について

Emil Platen (校訂)

Prof. Dr. Emil Platen, born in 1925 in Düsseldorf, did his school-leaving certificate in April 1946 after have done fatigue duty and military service in the Navy. He began studying musicology at the University of Cologne for two semesters, before changing to viola, composition (with Wilhelm Maler) and choral direction (with Kurt Thomas) at the Music Academy in Detmold. Following his exam as a choral director (1950) he continued his studies of musicology and in 1957 received his doctorate from the University of Bonn with a thesis entitled “Chorische Choralbearbeitungen von Johann Sebastian Bach”.

He spent several years working as a research associate at the Beethoven-Archiv in Bonn. As a “lecturer for practical music”, he was then put in charge of Bonn University’s musical activities, and
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製品安全に関する情報

G. Henle Verlag

製品の製造元に関する情報はこちらでご覧いただけます。

G. Henle Verlag
Forstenrieder Allee 122
81476 München
info@henle.de
www.henle.com

They will certainly be greatly welcomed by performers, who until now have had to use old and not wholly reliable editions that lacked any critical commentary. As well as a beautifully presented musical text, the first violin parts include a Preface in German, English and French, plus a Commentary in German and English only … The result, then, is a performing edition that in most ways will be a great service to quartet players. For the first time, they will be able to see at a glance where in the source material the main problems lie, and they will have a reliable guide to the basis for editorial decisions.

Eighteenth-Century Music, 2005

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